Stimulation

Jul. 18th, 2017 10:22 pm
tealin: (think)
[personal profile] tealin
I have pretty much always drawn while listening to the radio. From my first Harry Potter drawings, done behind the counter of a rarely-visited gift shop with mandatory country music playing, through a few years of film and musical soundtracks and half the Vancouver Public Library's collection of audiobooks, to the discovery of Radio 4 and all that. I need a chew toy to distract the verbal half of my brain and let the bit doing the spatial/fine motor work get on with it.

Once before I've had to make do without much to listen to: In 2007, long after I'd got used to having a computer at my desk with all its streaming and/or distracting opportunities, I interned at James Baxter's studio, the upper floor of an old warehouse and last preserve of analogue animation desks in LA. The other interns had laptops, but I only had my tiny iPod Nano, and after a week or two I'd memorised pretty much everything on it. But an odd thing happened when I ran out of external stimulation, and my Left Brain's clamour for distraction was perforce denied long enough: it shut up and went away to do its own thing, and good lord did I ever get a lot done.

I've been in the same position the last couple of days. I'm in Bristol doing a few days on-site at the studio for which I've been freelancing, doing rotations, the sort of work on which I most "need" something to listen to, and during which I get most of my radio listening done. I do have my laptop with me, just in case, but have not turned it on yet, nevermind accessed the WiFi. And my brain is doing the same thing. It's a little bit miraculous: I thought I was another casualty of our hyper-distracted age, yet here I am, doing relatively tedious work in a silent room, perfectly content.

It's made me resolve to turn off as much as I can when I get back home. I can't imagine going fully without the radio, as it does help to keep me on task when the infinite distractions of working from home (snacks, chores, errands, etc) come knocking, but I need to budget other distractions much more strictly. They aren't doing me much good, anyway – certainly less than what I'd gain with improved concentration and productivity.

Funny how these lessons keep coming back around every few years until you learn them ...

Silas Wright

Jul. 15th, 2017 08:46 am
tealin: (terranova)
[personal profile] tealin
To my surprise, this blog missed out on the Silas love on Canada Day ... so here's making up lost time. Longtime followers may remember him as the snarky bespectacled guy in a nightcap, who I drew a lot when Worst Journey was my escapism at Disney; now that I'm doing all this For Real I needed to sit down and work out a proper design for him.


Charles Seymour 'Silas' Wright was the physicist and glaciologist on the Terra Nova Expedition – and Canadian! As such, naturally, he was constantly being ribbed for being 'American'; even his nickname 'Silas' comes from a joke of Birdie's:

Silas struck me one day on the ship as a typical Yankee name and in a happy moment I called him Mr Silas P. Wright of the Philadelphia Educational Seminary. Since then he has never been called anything but Cousin Silas or Silas.

(from a letter home, quoted in Silas: The Antarctic Diaries and Memoir of Charles S. Wright p. 28)


More drawings and anecdotes below... )

There are so many more anecdotes – like about how Silas was notorious for his prolific and varied swearing, and how he almost invented the Geiger counter, and the time they were sledging across new ice that was still so rubbery the sledge made a bow-wake, and getting carbon monoxide poisoning the second winter, and how he was almost the one to go to One Ton instead of Cherry, and – and – and –

But I've gone on quite long enough already, so those will have to wait for another day.

Sweet Sweet Vindication

Jul. 12th, 2017 05:19 pm
tealin: (Default)
[personal profile] tealin
I still haven't finished that essay series, but it didn't stop my heart singing when listening to the Q&A at the end of Hilary Mantel's last Reith Lecture:
SUE LAWLEY: Now on the front row here, we have Peter Kosminsky, who directed the television adaptations of Wolf Hall and Bring Up The Bodies. Famously Peter, and somewhat controversially, you lit them – because we were talking about lighting – by candlelight. I mean, did you two agree that? Was that collusion or did he rush off and – or did you approve, Hilary?

HILARY MANTEL: When Peter and I first met, what I said to him is, “When I imagine this book ..." I didn’t really have to say about lights and shades, candlelight. I think he just knew that, but I remember saying to Peter, “In every frame of the book, on every page in every transaction I see the wobble of the handheld camera, which brings me back to witnessing and reliability.” And I think your face illuminated my sitting room at that point, because I think it was catching onto your thought about what the mode of the drama should be.

and later ...

Anne Holland, retired Head Teacher and Volunteer at Chastleton National Trust House, which of course, part of Wolf Hall was filmed in. It’s a very naïve question. I’m a Catholic, and to me, the character of Thomas Cromwell was portrayed as a great hero. And of course, like everything, nobody’s black or white, but it intrigues me to see how strongly the views were both within the book, the film and the TV.

HILARY MANTEL: I hope to produce a nuanced portrait of Thomas Cromwell, as of Thomas More, of Henry VIII and all my characters, but good writers need good readers. The reader has to be prepared to lay aside their prejudices and read the nuances and interrogate every line asking how reliable is this person as witness to his story or someone else’s story. The texts of Wolf Hall and Bring Up The Bodies ripple with doubt. My aim is to keep the text alive. It’s all about, as it were, putting the past back into process. So, what I’m trying to do ... if I had written my books at, say, from the point of view of Ann Boleyn, or I had chosen Thomas More as my lead character, then you would have a very, very different text but it doesn't mean that I am insincere or that text contains lies. The novel cannot, I think, be a neutral text but it can be a nuanced one.

Profile

amaliak: (Default)
amaliak

May 2014

S M T W T F S
    123
456789 10
11121314151617
18192021222324
25262728293031

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 24th, 2017 02:42 am
Powered by Dreamwidth Studios